“If criminal organizations in the world know that the FBI is willing to pose as journalists in order to infiltrate groups then it puts all of us in danger.”
Rick Rowley on OPB’s Think Out Loud.
The long-rumored and quietly discussed Longbow Productions came out of the shadows this week with the release of the Frontline documentary American Patriot which showed some clips of footage filmed by the Longbow team. Longbow Productions was a fake documentary film crew, created by the FBI to gather evidence against the people involved in the 2014 confrontation between the Bureau of Land Management (BLM) and supporters of rancher, Cliven Bundy.
Longbow Productions was the creation of the Las Vegas FBI office after the Bunkerville standoff in 2014. It was led by an undercover agent who went by the name of Charles Johnson, and who has since been arrested in an unrelated case where he posed as an “investigative consultant for a journalist.” A fake website was set up and the crew obtained professional recording equipment, and then approached the Bundy family and supporters requesting interviews.
A motion to exclude Longbow evidence from Cliven Bundy’s trial, filed in February 2017, states, “the FBI created a fake film production company designed to trick defendants into making boastful, false, and potentially incriminating statements that could be used against Defendants.” It also claims that the FBI “delayed filing of any criminal accusations in this case in order to launch a wide-reaching deceptive undercover operation known as ‘Longbow Productions.'”
The film crew traveled to five states, possibly more, and interviewed at least 20 different people in an effort to gather evidence. According to the Intercept article America Reloaded (named for the working title of Longbow’s supposed documentary) by Ryan Devereaux and Trevor Aaronson, there were over 100 hours of video and audio recordings from the Longbow team.
That article goes on to call into question the usefulness of such an undercover operation, pointing out that the majority of what was said in the Longbow interviews was already well-documented in many ways, by many different sources. The article states, “despite a clear risk that considerable resources would be expended to gather publically available information, incurring a guaranteed backlash from legitimate members of the news media along the way, Johnson and the FBI pressed on.”
Rick Rowley, Frontline producer of American Patriot, also questioned the operation in an interview with Dave Miller on OPB’s Think Out Loud. Rowley states, “it seems like it must be part of the case because it’s an embarrassing thing that you wouldn’t want to reveal unless you needed the evidence from it, but to my ears, it’s difficult for me to see what the logic is behind it.” He describes the questions asked in the Longbow interviews as leading, and that they “seem to be about trying to build a conspiracy.”
The effectiveness of evidence gathered using this undercover film crew is also worth questioning. In a February 7, 2017 Guardian article by Sam Levin, Ammon Bundy’s lawyer, Daniel Hill, is quoted as saying, “when the jury finds out this tactic they used, none of them will think it’s okay. It shows the lows the government was willing to go to.” Indeed, after Longbow evidence was presented in the first trial of defendants in the Bunkerville case, it’s been reported that jurors did in fact think that it was not okay. According to the Intercept article, Eric Parker’s attorney, Jess Marchese, “said a number of jurors he spoke to were turned off by the government’s presentation of the Longbow evidence.”
The Longbow operation undoubtedly had a high price tag as well. Cliven Bundy’s motion to exclude the Longbow evidence states, “the FBI’s Longbow operation spent taxpayer money extravagantly and with wild abandon.” It goes on to describe how the agents conducted many interviews in expensive hotels, plied some interviewees with alcohol, and paid for the interviews. Charles Johnson even offered to buy the rights to the Bundy’s story, and his assistant, known as Anna, offered to buy tickets to the Wrangler National Finals Rodeo to entice the Bundy’s to Las Vegas for interviews, according to the Intercept article.
What is perhaps most disturbing about the entire undercover operation, is the effect it has on journalism and news gathering. From Levin’s February 2017 Guardian article, “‘if you think every reporter you meet could be an agent of law enforcement, it really has an immediate impact on any journalist coming to try and cover that story,’ said Gregg Leslie, the legal defense director of the Reporters Committee for Freedom of the Press.”
Daniel Hill, Ammon Bundy’s lawyer, is quoted in this Frontline article by the producers of American Patriot as saying “they impersonated journalists so they could interrogate people the FBI fully intended on charging with serious crimes, without any lawyers present. We should not have to fear that our government is infiltrating America’s sacred press and media institutions in order to try to gain prosecutorial advantages against its own people.”
In 2015 the Associated Press (AP) along with the Reporters Committee for the Freedom of the Press sued the Department of Justice. The lawsuit was the result of unanswered Freedom of Information requests made by the organizations seeking information about a 2007 sting operation in which an undercover FBI agent posed as an AP reporter.
“We cannot overstate how damaging it is for federal agents to pose as journalists,” Katie Townsend, the litigation director for the Reporters Committee for Freedom of the Press, said in a statement. “This practice undermines the credibility of the independent news media, and should not be tolerated.”
The Hill, August 27, 2015
And of course, there is Rick Rowley’s perspective, from his Think Out Loud interview about the Longbow operation. “For people that are reporting on other stories, it puts their lives in danger. If criminal organizations in the world know that the FBI is willing to pose as journalists in order to try to infiltrate groups then it puts us all in danger.”
The use of a fake documentary film crew is just one more thing to question about the way the FBI handled this entire investigation, from Bunkerville to Malheur.
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